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History World Capital of Salsa

The Salsa, with its roots in Cuba, Puerto Rico and New York have been involved in Colombia since its inception. With the advent of radio in 1929, Caleños began to identify with the Afro-Cuban rhythms, and their heirs seasoned with sauce, they would end up staying in memory and the body of at least 4 generations of Caleños, thanks to the CMQ, Radio Radio Progreso and Havana.

No matter that these genres were not born here, in fact, no genre has been in Cali, we have never had an original music born out of our guts, but it can be recognized in other regions of Colombia. Afro-Cuban rhythms, mediated by the radio, the album and film, arrived early, infected the following decades and were forever giving rise to a popular tradition, a recognized identity within and outside Colombia.

In the 50's, in Cali, lived and danced as "Guarachero." In 1957 appeared La Feria de Cali. La Pachanga, came to Cali with great force. Then came other rhythms such as Swing, The Boogie Woogie, the Foxtrot and Rock'nRoll. Damaso Perez Prado came to Cali for the first time in the early 60's, to Mambo dancers were joined by a Cali called "Amparo Arrebato" He liked her dancing and invited her to Mexico, but she refused.

in 1968 in exchange for Tito Puente, he risked bringing the fair to two rising stars: Richie Ray and Bobby Cruz, who were playing a new rhythm: "The Jala Jala." It was madness, from that moment the door was open for all stars of the Salsa. They secured a taste for Salseras downloads. While playing in the house "Matecaña" the track "Pump Chamber", were dancing to the same girl he met Perez Prado, were amazed by his skill and a year later homenajearían with a classic theme: "Amparo Arrebato"

Cali became a Mecca for Pachangueros, reveled in the "Aguelulos" (rumba juveniles) in the "Pana", the "Honka Monk" and the current club, "Chango" in Juanchito. Boogaloo, a native of New York rate and relatively slow, arrived in Cali in '69 and '70 LP's of 33 RPM, a nightclub DJ Caleño the "Village Game" accelerated to 45 RPM and this was great to be encouraged to interpret his feet and urged the same time to jump a little to carry out the various steps.

In the 70's come to Cali The Fania All Stars, counting among its stars the "Singer of the Singers" Hector Lavoe who came to live in Cali for 6 months. In 1974, Cuban politician and journalist José Pardo Llada created a Salsa Dance World Competition, where he delivered the first place and the fame of the Watusi and Mary Caleños, competing against Cubans and Puerto Ricans. Rolando La Serie, the great singer of "The Forty", participated as a juror.

In the 80's emerged the stereotype created by the radio celebrity and show business, and condensed the slogan: "CALI SALSA WORLD'S CAPITAL" cultural phenomenon that had been forming since 20 years ago not as a process of music creation and production, but as an activity linked to consumption as the proliferation of clubs, dance festivals, the Feria de Cali and foreign orchestras and national radio, a passion for salsa history, support were received from the Afro-Cuban music and his heirs, the emergence of some 100 orchestras salsa in Cali, thanks inter alia to the rise of drug trafficking, and of course as anywhere else on the planet is dancing Salsa as much Cali. Cali

longer, for several years and for many reasons, the World Capital of Salsa, due to the invasion of foreign musical genres to the idiosyncrasies of Cali, as the Merengue, Vallenato and Reggaeton Finally. Unfortunately, today, the last thing you hear in Cali is the salsa. We

is the enthusiasm of 3,000 young dancers from 80 colleges, inspired by heating to have won the last World Championships as SonDeLuz (Puerto Rico 2004), Ricardo and Viviana (Las Vegas 2005) and Swing Latino (Las Vegas 2006) . In Cali also celebrated World Salsa Championship.

Caleño style is for lovers of Salsa "LA BELLA HIDDEN PEARL" is characterized by its speed, check with your feet all musical instruments, dancing in the first beat (Salsa On1) and for its spectacular figures acrobatic (Cabaret). Born of a mixture of Afro-Colombian rhythms, Boogaloo, Foxtrot, Mambo, Pachanga, Rock'n Roll, Swing and Top Salseras.

not let the music genres bury in history, our identity as Latin music: QUE VIVA LA SALSA!

This project is dedicated with love to all my people in Cali, Colombia and the World Salsa.

Source: http://www.youtube.com/CalenoStyle

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La Salsa, exprexión authentic popular neighborhoods

Sometime after 1930 and 1942, the break of sound in Cali. In our city they danced, and the rest of the country, rumba criolla, bambucos, whirlpools, and music guabinas the Atlantic coast of Colombia.

ear through the radio stations are created, Cali Radio, The Voice of the Valley, La Voz de Colombia, Radio Higueronía, RCO and Radio Sport, but especially the broadcasts of international broadcasters heard at night as XWE, CMQ, Radio Progreso and Radio Havana, La Habana, knows the music of Trio Matamoros, El Sexteto Nacional, La Sonora Matancera, the Riverside Orchestra, Beny Moré, later Cha-cha and mambo.

memory extends to auditory and visual memory is how the Mexican cinema, in what was called "rumba cinema" with Ninon Sevilla, Tongolele, Meche Barba, María Antonieta Pons Rosa Carmina, presented the Cuban groups and the way of dancing these rhythms.

Cali contemporary history is the history of music and dance. In 1945, the city had just over 150 thousand inhabitants. Fifteen years later, is a sum of districts reaching 470 000 inhabitants. The neighborhood leader This cultural revolution is the Worker, and social components that comprise it. Also the same municipality determines that the tolerance zone is installed, since 1940, in the race 12 with Street 19. Bars and bailaderos born that became milestones such as Copacabana, Ritmo Alegre, Acapulco, Fantasio, Terrace Belalcázar. X-rays, the nest and then Naples and Crabs. Outside of Cali, establishing the route of Cauca, in Juanchito with bailaderos as Agapito and the Pailón.

The city slowly awakens the drum that was inside and black music is the great expression of the popular neighborhoods.

Dancing is clearly imitative, is taking steps to do the mambo Springs. Similarly, the guaracha and the cha-cha. The major innovation occurs with the pachanga, a pace that makes up Johnny Pacheco in New York. La pachanga, as the couple released, gives way to imagination, allows the dancer Cali separated from the tradition and markings are used. In this perspective, we highlight the contributions of a brilliant generation as Jimmy Bogale, Dusan Diego, Antonio Catacoli, Horacio Henao, Felix Veintenillas, Evelio Carabalí, Amparo Arrebato, Spain and the couple Ayde Watusi and Mary. They make the transition from the pachanga, boogaloo through, until the sauce.

With the boogaloo, especially, shows that need the speed of the pace and the soft discs of these musicians, they set off at a faster rate. Is a discussion that requires other points of view to be expanded and this is not the scenario above. The truth is that the dancer Cali not attached to the key, as do the Cubans, but makes a dial all instruments. This style, with its own complexity, has set nationally and now enters triumphantly in international competitions.

La Pachanga continues to be a rate preferred by dancers. Disjockey still in 2000, said: "When the track is one the only sure way to fill the pachanga." No one remembers it today, unless of scholars trying to establish who was really the inventor. Everything seems to indicate that was not Johnny Pacheco and Eduardo Davidson. Radical Cubans, both in Havana and Miami, are already tearing their hair.

In 1974, José Pardo Llada organizing a salsa world championship triumph in which the couple composed Watussi and Mary. Watussi breaks with the past, jump, do tricks, rises, while Mary kept the elegance, sensuality and speed, virtues that we have recovered in dancers as Liliana Salinas and Benicia Cardenas, who started ballet Salsa Cali Rumba, and today living in Italy.

In December 1968, the orchestra of Richie Ray and Bobby Cruz came to Cali to complete this process of hegemony began to be called THE SALSA. Thereafter, until the 90's, the mastery of this music and dance came to Cali as he became known as the Capital of Salsa. It is no exaggeration after the crisis in New York.

The eighties is the decade of Grupo Niche, Guayacan, the emergence of fifty groups, the birth of the most important event in the Feria de Cali as the Festival of Orchestras, the creation of the new anthem City, Cali Pachanguero, Jairo Varela, respected as a cultural icon salsa.

The triumph of the sauce is the victory of the neighborhood as a social entity, of popular culture that has its roots in historical development. Our musical roots are settled in the terms black or mulatto. Jorge Isaacs had already announced in his novel Mary leaving a lengthy testimony of the African presence in the Valle del Cauca. Now Cali is the third black city of Latin America, after the Bay (Brazil) and Havana (Cuba). It also has become the capital of the Pacific, becoming the headquarters of the music festival Petronio Álvarez.

Cali born dancer of the rumba, the family party, share the dances, the aguaelulos, the street festival, the grilles, nightclubs and taverns, from dawn to Juanchito.

From the late 90's, born dance schools. It is time of the economic crisis Cali drug effects, the bands disappear or go into recess, the clubs close, the orchestra festivals let them finish, the Viejoteca born as a popular reaction. These are dance schools must recognize that they took the honor of defending the sauce in Cali and did so with intelligence because they worked from the grassroots and from childhood.

Swing Latino, directed by Luis Eduardo Hernández, was founded in 1999. Now, not only have the merit of representing well the style of dancing Cali, but have been exalted as the best in the world championship in Las Vegas in December 2006. A recent survey of 40 schools tell us active in Cali. Swing Latino is the product of hard work, dedication and talent. As they live their moment of glory, others are ready to take their places.

So the sauce is living in Cali because he is living in their neighborhoods, their roots in the deepest feelings of the poor, says Cheo Feliciano.

already borne the brunt of meneíto, the lambada, a merengue market despite the traditional merengue became part of the sauce. Also of vallenato, which is being undertaken the regueaton, who is getting kicked. In short, fashion is inevitable, but it comes and goes, because it's essentially ephemeral. The sauce is the root, is what remains. It's as if Havana is not, Rio samba, tango and Buenos Aires.

Cali is the most important musical memory of the sauce because it has the music inside. So what to do now, with the group of El Mulato, is a sight to be in any stage of the world. This is the authentic expression of the people from Cali, bravely competing with the Cubans and Puerto Ricans.

This is what we are and there is, as well one of the best voices of salsa in the world, Herman Olivera.

Source: Blog Rumba Rumbero - Umberto Valverde
http://www.elpais.com.co/blogs/principal/blog1.php?b=18&n=66

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Rhythms del Mundo Cuba



Contributions by members of The Buena Vista Social Club and some of the British and American artists of the moment most famous album Rhythms del Mundo Cuba is a musical project to benefit the organization APE (Artists Project Earth) that promotes actions to combat climate change and global warming.

An album from the union of Afro-Cuban sounds of The Buena Vista Social Club with tracks from bands like Arctic Monkeys, Franz Ferdinand, Coldplay, The Kaiser Chiefs, Jack Johnson and more. It also has one of the most famed Cuban vocalists, Omara Portuondo , and the last recording Ibrahim Ferrer.



Rhythms World is an electrifying album that fuses music of different cultures with a unique result. Arranged by Demetrio Muñiz , the main recording sessions took place in Havana at Abdala Studios from April 2005 to June 2006. Most vocal are the original bases. From the original orchestration from each song The Buena Vista Social Club has created something unique giving his trademark to each topic. Even the Arctic Monkeys overprotective have given one of his songs. The group's policy not to license their tracks to compilations, but I liked the result and were delighted that the item be included in album. Like the song "Dancing Shoes" by Arctic Monkeys, Rhythms Del Mundo includes re-recorded tracks like "Clocks" by Coldplay, "Better Together" Jack Johnson, "She Will Be Loved" by Maroon 5, "High and Dry" Radiohead and others. also contains music of renowned Cuban artists such as Omara Portuondo and the last bolero singer Ibrahim Ferrer Afro-Cuban who died tragically in 2005. Other Cuban musicians from The Buena Vista Social Club participating in the album include Barbarito Torres, Amandita Valdes, Virgilio Valdes, Angel Terri Domech, Manuel 'Guajiro' Mirabal, Orlando Lopez 'Cachaíto' and Demetrio Muniz.



Kenny Young, producer and Founder / Administrator of APE, explains how the project: "The project was precipitated after the devastating tsunami of Christmas 2005. The idea was to a project with The Buena Vista Social Club, fuse their Latin sounds with Western artists and their most popular. The project grew with the following environmental disasters that hit us - the earthquakes in Asia and Hurricane Katrina. The main character is the change climate. They may be called natural disasters but after investigations and scientific data, we know that we are partly to blame of these disasters. Global warming is a story of which is spoken daily in the media. Failure to act within the time given to us by experts, our grandchildren will curse us eternally " . artists participating in this album fully support this musical project and the cause he advocates. Thom Yorke says: " We need a law, we need for the Government to the problem of climate change where it belongs. If we expect to be the industry who voluntarily seek solutions, we are lost. So anyone concerned about climate change has to bring this concern to his Government because it is the only way to get something " .
All materials of the album (including liner) are recyclable, biodegradable.

Source: www.rhythmsdelmundo.com/